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kalyana mandapam (Inside the fort)
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Vijayanagar temples became very elaborate both in
structur e
and organisation. In this period, South Indian art attained rich expression.
Even the old temples were amplified by the addition of pillared halls,
pavilions and other subordinate structures. The most characteristic addition
is the Kalayana Mandapam, generally put on the left in the courtyard of the
temple as we enter it from the east. The temple at Vellore is also adorned
with the Kalayana Mandapam. It is a grand piece of stone architecture in
Vellore which is considered to be the most beautiful structure or its kind
in South India.
Some noticeable figures of soldiers in leather jerkins fastened with buttons
and loops armed with swords represents Vijayanagar infantry. The mandapa is
perhaps the richest and most beautiful structure of its kind and one of the
best specimens of Dravidian style of architecture. The cornice running round
the roof is the most magnificent of its kind. All the five pillars and four
joining panels are carved out of a single stone. It is quite marvelous how
the work could have been executed without fracture. Each pillar has upon its
faces, figures from one to two feet in height, well proportioned and
magnificently chiseled.
The ornamental roof represents the circles of parrots hanging, heads
downwards, holding in their beaks and claws the open petals of lotus
flowers. Each one is carved from one large stone, indeed a marvel of Indian
art. Several figures of animals, such as simhas or lions, elephants, roaring
up and in various postures in several tiers one over the other are also
available. The very ornate pillared pavilion with a raised central platform
is for the reception of the deity and his consort at the annual celebration
of their marriage and it is also unique in character engraved with
sculptures. The inner pillars are of different designs and highly artistic.
It is a blend of Dravidan architecture and Chalukyan style of architecture.
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